Overlord âMoviesâ 2018 Review
As the hours tick down to D-Day, four American soldiers are dropped behind enemy lines in France on a mission crucial to the success of the Normandy landings. But their objective is complicated when they stumble upon a monstrous Nazi experiment in a fortified church. Overlord 2018 â§ Drama/Thriller On the eve of D-Day, American paratroopers drop behind enemy lines to penetrate the walls of a fortified church and destroy a radio transmitter. As the soldiers approach their target, they soon begin to realize that there's more going on in the Nazi-occupied village than a simple military operation. Making their way to an underground lab, the outnumbered men stumble upon a sinister experiment that forces them into a vicious battle against an army of the undead.
Initial release: November 9, 2018 (USA) Director: Julius Avery Producers: J.J. Abrams, Lindsey Weber Screenplay: Billy Ray, Mark L. Smith Production companies: Bad Robot Productions, Paramount PicturesCritic reviews J.J. Abramsâ monster-sci-fi Cloverfield projects have always been streaked-through with horror: the 2008 original had its subway tunnel of spider- beasties, 10 Cloverfield Lane had an acid- soaked John Goodman, and this yearâs Paradox was a bit of a nightmare full stop. And while the Bad Robot-produced Overlord turns out not to be a Cloverfield movie after all, despite the rumours, it also stands apart from that anthology film series by inverting its formula. There is weird science at play here, in the unholy Nazi experiments lurking in a French church, but for the most part weâre in full-blown, gung-ho gore-horror territory. At least, thatâs where Overlord ends up. It starts as a war movie, hours before D-Day, opening with a retro title card as planes full of American soldiers enter French airspace. In one aircraft is Sgt. Ford (Wyatt Russell) and his troops, young Private Boyce (Jovan Adepo) among them, with a vital mission: infiltrate a Nazi-occupied French village and take out a signal-jamming radio tower. No success, no D-Day. Up-and-coming director Julius Avery delivers a ferocious opening act, smartly framing war as a horror-show all of its own. Boyceâs arrival to the battlefield is a literal baptism of fire, snatched from a vortex of flames as his plane is shot down, and descends to the ground in a barrage of explosions and gunfire. On arrival, the air is thick with fog, and bodies hang from trees illuminated by a hazy orange glow. War is hell. But once surviving foursome of Boyce, Ford, Tibbet (John Magaro) and war photographer Chase (Iain De Caestecker) pitch up at their mission destination, the horrors of war become more literal with the nightmarish creations of Nazi scientist Dr. Wafner (Pilot AsbÃ¦k). After such a gripping opener, itâs here Overlord starts to lose its way. The pacing lulls as the gang join forces with resisting villager Chloe (Mathilde Ollivier), and while Avery teases the supernatural elements effectively he plays his full hand too soon. The genre switch-up isnât as sudden as, say, From Dusk Till Dawn, while AsbÃ¦kâs sneering baddie pales in comparison to Inglourious Basterdsâ Hans Landa or Panâs Labyrinthâs Captain Vidal. Crucially, every time Overlord looks set to tip into a glorious Grindhouse-inspired monster-mash finale, it holds back from hitting the levels of adrenaline-fuelled insanity you hope for. Itâs a fun ride, but the script isnât knowingly silly enough to hit that so-dumb-itâs-brilliant sweet spot, and the gory denouement doesnât conjure quite enough carnage to mask a lack of real scares. Still, Adepo puts fine work into his underwritten everyman hero, Russell gives good gruff tough-guy grumbling, and the body horror sequences are impressively gnarly. As producer J.J. Abramsâ first foray into all-out horror, Overlordâs got guts. Youâll just wish it had more. WATCH Overlord (Movie) Watch Full Online